generative theory: art, work, collaboration, and authentic learning
I can’t help thinking that Camille Utterback’s Untitled 5 has a lot to do with my thinking about work, performance, and participatory learning. Sparked by a co-reading of the essay “Operating Text and Transcending Machine: Toward an Interdisciplinary Taxonomy of Media Works” by Kenny Chow in a recent issue of Leonardo and the essays in Joi Ito’s Freesouls , I stumbled upon Utterback through Text Rain, and was hooked by the visualization of collaboration to create dynamic and unique moments of art. Where “Untitled 5″ maintains persistent traces of ‘users’ on a constantly evolving screen, it layers subsequent exhibit visitors’ experiences into a visual representation, thereby emphasizing the collaborative nature of the art.
It’s more than the collaborative nature of the works - or, what I’m really interested in here - work (as labor) - the generative emphasis of developing texts or works of art (or works of art made of text as in Text Rain) is critical with regard to their sustained cultural / social currency. Pattern Language defines generative theory as a means “to generate a living world, with buildings, streets, rooms, neighborhoods that we can inhabit with hope.” Generative theory emphasizes development from within - and as I think about the place of experience / work / practice within both scholarship and learning experiences, some cloud of an idea is beginning to emerge…the development of narrative through work / practice in collaborative environments that follows an integrative, generative model can offer a more authentic learning opportunity for both students and teachers.
Not quite in the back of my mind (as it is still winter break) as I write this is my work with two college students who are spending a semester interviewing general store owners in Vermont’s Northeast Kingdom with an eye toward the stores’ roles in local and regional food networks. To my mind, the methodology employed by both me and the students - a semester of theory and ethics followed by another of field-work, interviewing, and survey analysis, all of which will be reintegrated into the participating communities - is a reasonable model for scaffolding and developing an authentic and generative community narrative in which the work of student fieldwork parallels the work of local informants and lends social currency to ‘academic’ scholarship.
I’m very much looking forward to seeing this project come to fruition and sow the seeds for continuing exploration with generative models of authentic learning to bridge the theory and practice of work.
The dialogue of questions, stories, and memory make a narrative - entwining in gyres of verse - the words of work within the work of words.
SAWMILL
from Greg Joly’s Hand LaborWhen pitching boards
sometimes a knot
breaks free
we hold these out
for Joel who first
held one
clear against
the late spring
sun to show us
how the rosin-thick
edge blazed
a translucent corona
ravenous to flare
up on coals knocked
bright in the predawn cold

